The hour of the revolutions and the war changes the knowledge of people, ruins everything old, people new ideas. Whilst change zahlostuє all spheres of social life. Including culture. That theatrical art of zokrema.
Vyhodyachi za zmіstu premiernykh vistas of the greater modern theaters, the hour of innovation has come.
A lot of unimpressive productions appeared.
Naskіlki stink cіkavі glyadachevі, chi know dovge stage life, chi go to the so-called " Ale theatrical art, madly, change. It becomes more expressive, more visual and naturalistic. Chocha є th part of the performances " A high level of intelligence, mysticism and collage will descend on the stage.
It is obvious that everything is new to the confirmed theatrical spectator. It can be boldly said that today's innovative theater is becoming a tool for awakening a wide range of emotions on inter-stress. Often - through zdivuvannya, navit, ogida. This method can be compared with that which in psychology is called "
To be brought to justice, what can you give a hostile non-transferring result. That's why on posters it is rightly marked "
At one time, when looking at such productions, the viewer is not surrounded by sublime frames (including propriety), the expanse of his fantasy expands. It is especially important to be careful with a new reading of classical p'єs.
Like a butt, I’ll put on a guest performance at the Malanka Theater (Kyiv) for Ivan Frank’s song “Stolen Happiness”, a kind of proishov on the stage of the Odesa TYUG im. Olesha.
Tse - a total failure to read the classics by the director Giya Panchkoriya. Main ideas for creation, mortgages I. Frank, go to another plane. About the injustice of the social minds of the villagers, who have their own heroes, about the accessibility of their relatives, about the waste of traditional value and suffering from a love trickster, a peep-to-be does not get excited.
But the thought about those who " More bright post-feminist reading of " Frank vee don't poke fun. It is possible that a wider penetration of psychological theories in the everyday life of people leads to a new reading of theatrical performances. Ale, obviously, it’s so self-evident that not all theatrical goers have heard and rightly read the classics are ready for such readings.
In my opinion, here it is important to announce innovative premieres, accompanied by a small short description of what can be shown on the show, with the sign " Todi, robbed of a whistle, a peeping mother I can sing, as if I fell in love with him, I love the classics, so it's " Well, for the quiet, who is ready to vibuhu that bazhaє pobachit today, short vistavi, maybe, don’t know. І Odesskiy TYUG giving the viewers such an opportunity to bachiti innovative reading.
Text: Margarita Korobitsyna.