An actor's dressing room in which two characters talk, the standard background for her: Mi-mi-mi, bull stupidly, stupidly bull-calf. actors are preparing to go on stage. Already from the first minutes it seems that you can show almost two hours? But no, all the time allotted to the tragedy with the Omelet Intermission (a production was created in this genre), the actors keep the audience in suspense. Everything would be simple and mundane if it were not for the play "Hamlet" echoing from the stage. Theater in the theater, where serious passions boil not only on the stage, but also in the souls of actors. Resentment, jealousy, suffering and. love for the theater, not giving up the profession and go the other way of life. There are only two main characters in the performance - the actors Gennady and Arkady, they are Guildenstern and Rosencrantz (Artem Kaminsky and Sergey Danilevich). The first one even thoroughly prepares for a role for a few minutes, says that there are no small roles and any roles need to be played with all the skill. The second considers himself to be undervalued, is preparing to drop everything and leave for TV. These two dissimilar characters 15 years get along in one dressing room. Waiting for their scenes in the performance, they are engaged in a dialogue, succeeding from exiting to exiting the stage to discuss both personal life and the situation in the country, and a close theatrical world. Experimental stage of the Army Theater - space for avant-garde director productions, introducing new forms of communication with the audience. Here the most unexpected turns and directing decisions are possible.. The director Alexander Wislov adds the play of life, forcing the actors to fry and eat a firm omelet right on the stage (is there a consonance with the play Hamlet, the background coming from the speaker) from Guildenstern. Flavored butter in a frying pan, tomato juice flowing through your fingers, eggshell cracking wildly. But the conversation does not stop, slowly flowing, moving from mutual insults "You cut down the scene for me" to modern art "I’ve seen Hamlet here with Cumberbatch look". Each replica of the characters makes you think about life, no matter how trite it sounds.. Here everything is about today's realities: about the Theater of Nations, and about Serebrennikov, and about Bogomolovo. From the theater, actors move on to more vital things - body kits in the store, tile and herders. Arkady turned against the whole world, there is only one negative around him, and he does not want to give one hundred percent his best, because nobody will appreciate him anyway. Gennady, on the contrary, believes that if one person tinkers, then everyone around will do their work in half strength. And if a salesman, a tiler or a teacher comes to the theater, and they see how the actor gets used to the role badly, then they will trick up doing their job.. And never then will the country not see the lumen. The game of Artem Kaminsky and Sergey Danilevich is simply impeccable, the characters of their characters are sustained from the first word to the last. They manage to transfer the viewer to the real behind the scenes.. What usually seems to us like a miracle is the birth of a performance, for actors it's a routine.

And the cradle of art - theatrical dressing room - turned for them into the tomb of their talents.. For all the dissimilarity of characters, Gennady and Arkady perfectly convey the realities of the theatrical world.. All dreams of the main roles after graduation gradually turned into routine.. Every day they expect the role of Hamlet, but weeks, months and years pass, but nothing changes, around the same walls of the dressing room, and they still play guildersterns and rosencranians.