Mark Grigoryevich started from afar, from the very beginning. His biography of the screenwriter and director began in 1958. 21-year-old boy headed the student theater "Our Home" at Moscow State University. Performances and young actors, became popular quite quickly. "The hall was hammered. We were visited by famous directors. The audience hung on the chandeliers, we were loved. Once came Zinoviy Gerdt. He looked at us and said that we are "such a collective Raikin", - recalls Mark Grigorievich. "But then ...", he continues. - "They fired for the anti-Soviet". Too bold repertoire did not like officials. "We lasted 12 years. All the actors were almost immediately disassembled in other theaters, "- says the director. Rozovsky himself after closing worked in the Moscow Art Theater, Leningrad BT, the Russian Drama Theater, the Opera and Ballet Theater. Kirov, the Pushkin Academic Theater, the Theater of. Leningrad City Council, the Theater of. Mayakovsky, the puppet theater for them. Obraztsova, the theater of the Polish city of Wroclaw. "I was one of the first in the Soviet Union to stage a musical. In the mid-1970s, our audience saw the rock opera Orpheus and Eurydice,. In the same year, I put on the stage BDT "History of the horse". Later the musical took on the theaters of Broadway, London and Stockholm. This was an achievement, "the playwright says calmly.. In 1983, with the light hand of Rozovsky in the capital, a new theater "At the Nikitsky Gate". On his stage the director staged performances on the works of Mikhail Zoshchenko, Isaak Babel, Nikolai Karamzin. They went on stage and staged the plays of Rozovsky. In the breaks between the stories, Mark Grigoryevich sang. With pleasure, ecstasy. He lived music, meanings. Sang that, loves. Liked what sings. "Although I do not know the music, but I'm considered a musician.

I was composing a melody for songs singing them by a musician, and they were recording from my hoarse voice, "says Rozovsky. His young voice carried away, disturbed, tried on. He talked about old age, about the third age: "I'm younger with young people. Well, I do not shy away from gymnastics. And I must say, because the theater is a factory. You have to work at a rhythm to keep up and every day to open the curtain at seven in the evening. You can not get away anywhere.. You owe her ".